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welcome–willkommen–velkommen–bienvenue–benvenuto
I
take great pleasure in working and experimenting with different
types of materials and surfaces. These include woodcuts,
stone-lithography, mixed-media prints, scripted works on papers and
scrolls, watercolor paintings on scrolls, mixed media installations
and land-art. Performative collaborations with sound and voice
artists are also part of my ongoing activities.
In
this website I show excerpts from 4 different collections of works
that reflect my thoughts on the complex inter-relationships of
“Nature
®
Human
®
Culture
®
”. In this triad, I see each entity being affected by and reflected
in the other.
Nature

Human
Culture
Fragments
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“Fragments
of Organisms”, a series of original hand-pulled prints, printed
from carved wooden matrixes, showing images of fragments from human,
animal and plant anatomy. Once a matrix has been printed onto a
paper, it is carved again; sometimes the matrixes are cut apart and
reassembled in a new configuration
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“Aspects
of Aphrodite”, a series of stone lithographs referencing the
Greek Goddess of Fecundity and Love
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Scripted Works
- a
series of unique lithograph/monotypes and etchings with added
hand-scripted layered text to form weavings with German
word-triplets
- original “Oakleaf Alphabet” (29 oak-leaves; each represents
a character to form a 29 letter German alphabet)
- “Oakleaf Alphabet Codex”, used in my transcriptions of
Hoelderlin and Novalis poems (printed woodcut)
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“Hyperions Schicksalslied”, printed woodcuts showing a
Hoelderlin poem (Hyperion’s Song of Destiny) in
Oakleaf Alphabet Codex
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Wordweaving Scrolls
a
series of hand-scripted mulberry-paper and rice paper scrolls, each
showing different words that were scripted with pen and ink
in consistent juxtaposed layers onto 10 meter long scrolls, with
installation-shots of exhibitions in Germany, France (with sound
artist Emmanuel Mailly) and Canada (with sound/voice artist
Catherine F. Lewis)
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Botanics
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“Migrating Figures”, various land-art installations with
figures in the shape of my own body-silhouette, filled with various
botanical fragments from a given site
- “Lanzara
Herbarium”, watercolor paintings on 10-meter long rice-
paper scrolls, depicting plants I collected in fields and gardens in
Southern Italy
- “Open
Books”,
a series of large printed handmade plant-fibre papers
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